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Some really cool photos in here!

I have never learned so much in a single video. Thanks!

This was a fantastic review and comparison! And great to see how the two budget lenses stack up against the new XF 56 on the 40mp sensor. This was very comprehensive so must have taken a lot of work, so thank you I appreciate the effort.

I prefer the sound of the Podmic on my KRK Rokit 6 G3's vs Shure ones.

Hey can you please give it to me for animation and VFX education???

Finally someone who explains and demonstrates how to use Cine EI. Thanks!

That was really helpful, thank you! What settings would you use to shoot a long outdoor fitness type video (with naturally changing light conditions). Adjusting an ND would not be an option. S Cinetone, SLOG 3, or an automatic profile? Thanks again!

thank you so much for this on fuss no self-promoting no crazy introduction, humble, sincere, clear and concise tutorial. amazing. Keep on the good work!

What about using a dummy battery? It seems to me that the battery usage and heating up is the main culprit in addition to the scree

I appreciate this video, I have been a long time Sony photography shooter and am just now getting into video. So it really is a completely different world. Especially since the After Adobe dust up I’m learning multiple new programs including Resolve. This video was immensely helpful. Your teaching style is straight forward thanks.

Do you have an alternative cable to the cable sticking out problem?

Very informative, totally digging the Alan Alda vibe...

I have watched 6 different videos on this topic and this is by far the best, showing the why but also exactly how to make the settings in the menu of the FX3 and correcting and comparing the footage in post in Davinci Resolve. Thanks so much

Can you give me this camera for VFX education i cant afford that much expensive cameras so can please give me this as giveaway its a humble request 🙂

I appreciate you are trying to break this down and says Cine EI but this video does not do what you think it does. First of all, pausing a compressed video is poor comparison tool for critical judgements, Cine EI needs at least camera original files to judge. Secondly, despite that by repeatedly looping your test shots, they show the the opposite of what you say, Cine EI clearly preserves better details in shadows on my OLED screen. Perhaps your viewing monitor lacks shadow detail. Thirdly, the noise floor in these comparison shots clearly have different noise floors. That the technical error here. Dynamic range is not just highlights and shadows, it's with noise factored in as well as latitude which is over and under exposure correctability. Your clips is missing any actually scientific comparison of dynamic range. The only conclusion that can be drawn here is that you are not seeing a highlight shadow difference in your viewing environment. See how Cine D tests dynamic range. www.cined.com/the-cinema5d-camera-lab-is-back-dynamic-range-tests/ your comparison shots here are not really usable especially as lighting could have changed (and did change) out of doors.

Super useful, thanks!

Dude this is a really good tutorial. Thanks for sharing!

been a while since i visited ur channel. nice work.

Thanks for this video! I guess this means that this camera isn’t suitable for long Twitch streams using OBS (5-7 hours at a time)? That’s disappointing as the low light and autofocus seem so nice on this camera, but good to know.

Let me have a go at explaining based on my intuition of what is going on. Luminance is the most important thing in video codecs, almost all of the precision (in your 10bit codec) is used for storing luminance information (not colour information). I invite folks to use a monitor on their Sony cameras i.e. "monitor+" on your ipad and flick through the colour profiles i.e. PP4, PP8 etc and see what happens to the colour waveform scope. Anyone who understands how the "dynamics/compression" works in audio will immediately see what is happening, it's basically applying a curve to compress the highlights and shadows into a smaller space, it's "squeezing" the information together into the middle - so you can store more dynamic range in a smaller space. The wide gamut codec of Sony log footage also has more luminance precision i.e. 10K values rather than 1K values, but the codec is still 10bit which means you are actually losing precision in 2 ways, one that it's compressing your sensor data into a smaller space, and 2 that the wider gamut codec profile (note gamut is colour, not luminance) is representing a larger space but still with its 10 bit codec. So you might wonder why skintones always look better on SDR in a low dynamic range shot, this is why - there is way more precision being used for your skintones (they are stretched across more of your representation space, which always looks better). That's why for me, SLOGCineGamut should only be used when you actually need to capture a wide dynamic range (outside or changing light). Also - yes the camera only actually has 2 sensor modes (the base isos) and the ISO/EI adjustment just translates the distribution of values up and down to map onto the actual range of luminance your codec supports (for display only, not recording on EI), given that there is often more dynamic range "going in" than which can be stored, you need to make the tradeoff by shifting the distribution up and down, again, using the monitor app to see this effect actually happening when you switch ISO is illuminating (pun intended). As you point out, changing the EI doesn't change the base iso, but it does prompt you to adjust aperture or change your ND filter which does change the exposure (light going in). So then there is the important question of which picture profile (compression curve) does the Sony Cine function actually use, because this is the only real consideration in my opinion - it seems to use the PP4-5 range, which is a much milder compression than the higher ones i.e. PP8 - which means on high DR shots it might not be enough to capture both highlights and lowlights, but does mean you retain a fair bit of range for skintones. So based on this, it does indeed seem a bit pointless, you have far more control over the compression curve just adjusting the actual picture profiles and ISO doing it the "old way". Coming from a guy who has a Ph.D in signal processing but self-taught in cameras through trial and error, I hope my intuitions help people

Finally, a review that makes sense. The Mac Minu pro 2 will be good for a first timer, that is, also an old timer. Thank you.

So if it’s a not a great camera, why the heck was approved for Netflix?? That’s my big question…

Helped me out. Thanks

Awesome. I will be exposing for my new FX 30 soon and I would much prefer to know where my exposure is going and have it fully under my control. For me, Cine EI would not be a good option for that. Thanks for your work on this, it is very helpful for when I do my own testing.

The AKG sounds better to me.

I tried Cowberry and Aloe (linear switches); they required no force, and the space bar felt dead. If you're coming from Apple or MX Keys Moss or Wisteria is the way to go. (Tactile) . (Moss has a great feel regarding thump and force).

Can you connect many tubes together to create for example a light box ceiling?

Coming from a Fuji X-S10 shooter, if I were to start over and invest new money into photography, I’d go with the Sony. That autofocus is just something else. When you’re an enthusiast, the more “I don’t have to think about this aspect” is a big advantage. Nailing focus, tracking subjects, etc is a confident action on the Sony’s. With Fuji, I am always focusing, refocusing, and checking images for focus

cant wait until everything is 32 bit and we no longer have to worry about all this...😁

A negative Noise Reduction number gives you more noise or less noise? I have always been confused about that.

This is not universal; this assumes all people your shooting is not olive or dark skin. What if the individual is dark skin like me or brown? 50 ire won't cut it

The very beginning of this video proved the point that autofocus in this camera is seriously borked.

What is the base iso on S-Cinetone?

I’am learning about color profiles, but no profile is enough for the most of people that requieres no profesional use like me. Sorry for my English.

I use Control - Page Up and Page Down a lot (to support my 80 open tabs habit ;). How did you find the upper right corner position of those keys on this keyboard? Does the distance become awkward / inefficient with frequent use?

I immediately paused and liked this video when I saw the Garbagr Pail Kids card...I'm an 80's kid, what can I say 😂

Thanks! One nagging problem I have with the ‘middle mouse button’ which currently impedes it’s usefulness in DR : each time I depress the button, it brings up ‘Spotlight Search’ - I’m running DR 18.6.6 under Sonoma 14.5 and have yet to find where that relationship is set and how to override with Logi (the wheel button is defined to ‘Middle Button’)…frustrating.

Hey, great video. I'm just wondering, to your knowledge, did they maybe release a replacable spacebar key?

Thank you for leaving a review. I've been using this keyboard for about 4 months now, and I love the way it feels when typing. It's great for my smaller hands and allows me to type quickly and seamlessly. However, I'm having issues with the Enter key, as I need to press it multiple times for it to register, which is very frustrating given the price of the keyboard. It's also disappointing that it doesn't come in black or have a screenshot key. Despite these drawbacks, I still find typing on it very satisfying. I'm considering changing the lock key switch in the hope of resolving the issue, but I'm new to mechanical fixing and have never changed a switch before. I'd appreciate some guidance on how to do this and whether it's likely to solve the problem. Thank you!

What's the big about LUts when you can't even embed it to your video?

Who is better Pd100 or pd200

Had similar problems with a 9750x build for the past year. Drove me crazy, do the point i almost switched the darn thing to Intel. Your video actually helped solve the problem - the liquid cooler was tightened too much, I loosened the screws like a half turn and presto, boots like butter (dono if that's a thing, butter and 95c hot CPU). Thanks dude

Very good information, just what I was looking for with my A6700👍

Can you not do HDMI 4K60 with an Elgato CamLink 4K or is it locked down to USB?

Honest reviews like this one are hard to find these days. Thank you for making this video!

Thanks for this review. Were you recording this in a treated room? I would be using the mic in an untreated room, so background noise rejection is a serious issue. Which one is better in that respect?

Great video, these shortcuts will save me so much time. Thank you!

thank you for the clear explanation, hope Sony will support 4k over the usb-c (if that is possible using usb4 since it can support higher bandwidth, for now i'll stay will the old school setup).

So... Adjusting ISO on this camera is a lie!!!